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Cities or homesteads are wonderful, angles accentuating the frontal objects effectively. However, those are short, much of the piece infatuated with busyness, streaking toward the screen with exploitative ball & paddles, space ships, or glorious universe views. Depth gains an extra foreground, using it to embellish already active 3D shenanigans.Įscape is not a dimensional landing point, some flatter dialogue scenes uninteresting, if still deepening backgrounds. Sparks, confetti, and smoke will burst through perceived seams for the fun of it, and results are fashionable and appreciable. Packed inside a faux 2.35:1 frame, Escape breaks the confines of its black bars to plop 3D-centric debris outside of its designated play space. Some may bemoan a shred of aliasing those people would be Blu-ray critics. Cities, Earth-bound or otherwise, tighten up to showcase resolution, objects visible into the furthest reaches of the frame’s horizon. Sharpness equates to perfectionism, dishing out layers of texture, despite some simplistic design choices for Baab residents.

Spiffy contrast adds depth whether in 2D or 3D, dimensions apparent and rich. Use of negative whites peppered with reds or blues, all caped in black, are well chosen.

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Light blue alien skin accounts for much, backed by flawless primaries. Peep out contrasting selections that stray far from orange & teal, yet still prove beautifully appealing. AVC proves its worth as a necessitated advancement, as if it hasn’t already well into the life of Blu-ray.Įscape’s spectacular color palette offers dizzying arrays of smooth gradients and lush saturation. Search for artifacts under duress, including countless scenes of sparks or confetti. Oh, you probably knew that, so why are we here? To stroke compressionist egos? Sure, they deserve credit, the wild action scenes flipping out and kept under visual lock down. Escape is difficult to despise, but rendered easy to forgot.īreaking news: CG animated Blu-ray looks perfect! Those calculations lead it down a pathway of cliché, playing safe or animated entertainment be damned. Toss in a British-speaking computer network (Ricky Gervais) – because even Planet Baab can’t get enough of their dry wit – and you have a film calculated to entertain. This Weinstein feature tries hard to avoid being lambasted, ducking and dodging around the screen in a dizzying display of frantic screaming. Something, something self-sacrifice is rendered moot as a metaphor with a Hollywood ending, bug-eyed Area 51 denizens saviors as they impersonate The Beatles. This towering hunk of metal, LEDs, and glowing speheres akin to a Frankenstein laboratory is enjoyably imposing, lending credence to the madness of a villainous general.Įscape is superficial enough to be mindless, possibly damaging in its flighty plotting. Plotting leads into a planet-destroying super weapon, if only to give main characters something to do.

To its credit, this visual dazzler is a champion of design. Stretchy animation adds a pleasing layer of cartoon mayhem, dropping any shred of internal reality for sketchy gags that work about half the time. Escape loves hard to follow action, zipping spaceships and fighter jets through a dazzling frame that only slightly recalls Independence Day.

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Pacing is expedient, enough for any passing groans to be wiped free by upcoming events. Toss in 7-11 plot points (the convenience chain must have funded half of this movie) and Escape is a wee bit tangled in its own vines, or tentacles.

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Like Scorch, Escape from Planet Earth is a wee bit full of itself, dumping pop culture zingers and marginally infectious energy onto the screen in hopes of having something stick. In the end, Scorch and his brother Gary leave most of them on Earth. Scorch Supernova is a glistening beacon of perfection, except for being an idiot.īrendan Frasier does his best Patrick Warburton as an over-aggressive, stardom infatuated moron who departs to Earth, err, ‘Dark Planet,’ to rescue a small fleet of captured multi-planet aberrations.

Celebrity worship leads evening news, bumbling heroism is plastered onto breakfast cereals, and identifiable track suits are adorned with corporate logos.

Planet Baab has evolved as our own despite implications we, as humans, evolved backwards.

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